Brenda hants celia cruz carnaval

DANCE & ELECTRONICA

​Basement Jaxx - Bingo Bango

Basement Jaxx - Do Your Thing

Basement Jaxx - Red Alert

Bellini - Samba De Janeiro

Bobby Brown - Two Can Play That Game

Cassius - Cassius 1999

CeCe Peniston - Finally

Cher - Believe

Coco - I Need A Miracle

Corona - Rhythm Of The Night

Crystal Waters - Gypsy Woman

Daft Punk - Digital Love

Daft Punk - Night Vision

Daft Punk - One More Time

Daft Punk - Something About Us

Daft Punk ft. Pharrell Williams - Get Lucky

Dario G - Sunchyme

David Guetta ft. Sia - Titanium

Deadmau5 & Kaskade - I Remember

Deepest Blue - Deepest Blue

DJ Otzi - Hey Baby

DJ Sammy - Heaven

Edward Maya & Vika Jigulina - Stereo Love

Eiffel 65 - Blue

Fred Falke - 9.09 PM At The Beach

Gala - Freed From Desire

Gorillaz - Dirty Harry

Gorillaz - Feel Good Inc.

Gorillaz - Feel Good Inc. ("Ritmos Del Mundo" Latin Remix)

Groove Armada - At The River

Groove Armada - Superstylin'

Groove Armada - Superstylin' ("Ritmos Del Mundo" Latin Remix)

Imaani - Where Are You

Jakatta - American Dream

Jessie Malakouti - Standing Up For The Lonely

Kaoma - Lambada (Club Remix)

Kings of Tomorrow - Finally

Livin' Joy - Dreamer

Loreen - Euphoria

Moby - Porcelain

Modjo - Lady (Here Me Tonight)

Moloko - Sing It Back

Mylo vs. Miami Sound Machine - Doctor Pressure

Olive - You're Not Alone

Olsen Brothers - Fly On The Wings Of Love

Pharrel Williams - Happy

Rihanna - Where Have You Been

Robert Miles - Children

Roger Sanchez - Another Chance

September - Cry For You

Snap! - Rhythm Is A Dancer

Sonique - It Feels So Good

Supermen Lovers - Starlight

Ultra Naté - Free To Do What You Want To Do

Whigfield - Saturday Night

BRAZILIAN

BOSSA NOVA, SAMBA, MPB

Ana Rosely - Skim Dum Dum Dum

Ary Barrosso - Aqualera Do Brasil (Watercolour Of Brazil)

Azymuth - Cascade Of The Seven Waterfalls

Baden Powell - Berimbau

Banda Beijo - Bate Lata

Bossacucanova - Just A Samba

Bossacu

For the newsletter, see Women in Music (periodical).

Women in Music play many roles and are responsible for a broad range of contributions in the industry. Women continue to shape movements, genres, and trends as composers, songwriters, instrumental performers, singers, conductors, and music educators. Women's music, which is created by and for women, can explore women's rights and feminism. Women in music impact and influence creativity, activism, and culture.

Currently, a significant percentage of popular and classical musicians are women, and a significant portion are songwriters (many of them being singer-songwriters). Despite this, few record producers, rock critics, or rock instrumentalists are women.

Female artists in pop music, including figures like Madonna, Björk, Lady Gaga, and Taylor Swift, have openly addressed the issue of sexism within the music industry. A 2021 study stated that "over the last six years, representation of women in the music industry has been even lower." Despite their substantial contributions from the medieval period to the present day, women composers are under-represented in the commonly performed classical music repertoire, music history textbooks, and music encyclopedias. For example, in the Concise Oxford History of Music, one of the only female composers mentioned is Clara Schumann.

While women constitute a significant proportion of instrumental soloists in classical music and the percentage of women in orchestras is increasing, a 2015 article on concerto soloists in major Canadian orchestras indicated that 84% of the soloists with the Montreal Symphony Orchestra were men. In 2012, women made up just 6% of the top-ranked Vienna Philharmonic orchestra. Few of the prominent instrumentalists in popular music genres such as rock and heavy metal are women, and women are particularly underrepresented in extreme metal genres,^[6&#

OKTETTO

Dance at The Grange

June  |  6

L’INCORONAZIONE DI POPPEA

Claudio Monteverdi

June | 7 14 16 20 22

TOSCA

Giacomo Puccini

June | 8 15 21 26 30 July | 5

THE RAKE’S PROGRESS

Igor Stravinsky

June | 23 27 July | 4 6

A FRENCH SALON

Jazz at The Grange

June  |  28 29

Welcome To The GranGe Fes T ival MICHAEL CHANCE

Summer at The Grange. We warmly welcome you to our arcadian feast of creativity.

Now all of seven years old, no longer the infant, more the shining morning face, we negotiate the challenges of the age, with your enjoyment and your memorable Festival experience guiding our every endeavour.

Our three operas celebrate two great cities, Rome both ancient and more modern, and our own London, seductive and corrupting in Hogarth’s morality tale, with a span of over 300 hundred years of music setting the stories from the early days of Venetian opera with Claudio Monteverdi to two of 20th century’s acknowledged masters of their crafts, Auden and Stravinsky. And we mark the centenary of Giacomo Puccini’s death with his gripping verismo masterpiece, showing us a further dark side of the eternal city.

The Grange Festival is unlike other summer opera festivals because we are a broader church than our colleagues. Ballet and jazz feature prominently this year. Also celebrating its centenary, the esteemed Brno National Ballet visits the UK for the first time. We are privileged that they open our festival this year, an important moment in our short history.

I have a sense that our theatre will suddenly seem even more intimate and the musical experience even more visceral when Cécile McLorin Salvant, Dan Tepfer and Thomas Enhco take to our stage and draw us in to their intense musical imaginations through French songs and music already known to many of us but repainted on their personal canvasses. Jazz is finding its feet at The Grange in wonderful ways.

Amidst the plethora of talent which the Festival is showcasing this

My ACE Experience — Lara Meersschaert

Quite often, I have found myself staring down the barrel of a decision that, however daunting, would have the possibility to change the course of my life. I didn’t fully grasp this at the time that I decided to commit to a summer term with American Conservation Experience, but by the time I stood, stunned at the Atlanta airport in the beginning of August, it was difficult to put into words just how full of love that summer had been.

Prior to my term with ACE, I had just come off of a freshman year at the University of Georgia that involved a major change in what I thought the rest of my life would look like. I had been committed to the idea of going to medical school since I was eleven, and the thought of changing this seemed unthinkable. For months, as I trudged through Chemistry and Biology, I told myself that it was okay— I would do what I truly loved and aligned with later in life. One of my courses was taught by my now friend and mentor, Dr. Kyle Woosnam. Titled ‘Cultural Heritage Tourism,’ we explored the complex interactions between humans and the environment. It sparked joy, simply put. I ended up meeting with Kyle, and he gave me a tour of our campus’ Warnell School of Forestry and Natural Resources, describing the close connections that existed in this space, as well as the courses and majors offered. I was enamored.

I changed my major to Parks, Recreation, and Tourism Management, and finished up with my last core classes. At the same time that this was happening, I had been looking for a position for the summer that would allow me to fully explore my passions regarding the outdoors. I came upon a Conservation Crew Member position with ACE on my school’s job board, and I applied. After an application, interview, and a few weeks of waiting, I heard back right before I left my dorm to take one of my final Chemistry exams. Not knowing what hybridized orbitals wer