Quinton claunch biography definition

  • Memphis soul artists
  • Roosevelt Jamison, 1936-2013


    Quinton Claunch & Roosevelt Jamison August 2012

    I’m not sure exactly how I first met Roosevelt.

    Probably it was through Quinton Claunch. It was 1981 or 1982. I had started working on Sweet Soul Music, and Memphis – and James Carr, and Goldwax Records, and Otis Redding – were all, of course a big part of the picture. Quinton was co-founder and co-owner of Goldwax, whose biggest star, and probably greatest talent, was James Carr. But James was going through a period of trials and tribulations during which he was virtually incommunicado, and Roosevelt, who had originally brought him to Goldwax, was pretty much his only lifeline to the world. Roosevelt had also written “That’s How Strong My Love Is,” recorded initially by another of his discoveries, and another soul singer of incomparable talent, O.V. Wright, and then, in somewhat circuitous fashion, by Otis Redding in the version that the Rolling Stones picked up and made known to a whole other world on Out of Our Heads.

    It doesn’t really matter. The point is, I met Roosevelt, who was working at the University of Tennessee’s Interstate Blood Bank at the time (only one of two or three full-time jobs he was working simultaneously), and once he heard what I was doing, Roosevelt took it upon himself to be my guide.

    I don’t know where he found the time – I don’t know where he found the generosity of spirit. But that was Roosevelt – it was his mark in life as well as in music. He seemed to possess an empathy gene, a need to be of service that carried over into every aspect of his life. He was a songwriter primarily, definitely not a singer (his friends told him “to stick to the other end of the business,” he always said ruefully), and with the exception of “That’s How Strong My Love Is,” I’m not sure he ever really profited from the music business – and then only

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    Claunch History, Family Crest & Coats of Arms

    • Origins Available:
    • Germany

    Etymology of Claunch

    What does the name Claunch mean?

    The roots of the distinguished German surname Claunch lie in the province of Hessen. The name is derived from the Middle High German word "glunkern" or "klunkern," meaning "swinging and dangling of a bell," and refers to "a shuffling, slouching, and sluggish person."

    Early Origins of the Claunch family

    The surname Claunch was first found in Hessen, where the name emerged in mediaeval times as one of the notable families in the region. From the 13th century onwards, the surname was identified with the great social and economic evolution which made this territory a landmark contributor to the development of the nation. The first recorded bearer of the surname Claunch was Heinrich Glungg, who lived in Villingen in 1320.

    Early History of the Claunch family

    This web page shows only a small excerpt of our Claunch research. Another 114 words (8 lines of text) covering the years 1320, 1404, 1410, 1460, 1645 and 1737 are included under the topic Early Claunch History in all our PDF Extended History products and printed products wherever possible.

    Claunch Spelling Variations

    Spelling variations of this family name include: Klunke, Klencke, Klenck, Klenka, Klenge, Glunk, Gluncke, Glungg, Glenck, Claunck, Claunch and many more.

    Early Notables of the Claunch family

    Another 28 words (2 lines of text) are included under the topic Early Claunch Notables in all our PDF Extended History products and printed products wherever possible.

    Claunch Ranking

    In the United States, the name Claunch is the 12,660 most popular surname with an estimated 2,487 people with that name. 1

    Migration of the Claunch family

    Some of the first settlers of this family name or some of its variants were: Alberdt Klunck, who settled in Philadelphia in 1754; Adam Klunck, a Waldecker mercenary who settled in America afte

    Memphis soul

    Music genre

    Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee, featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.

    Many of the songs in this style were performed by vocalists backed by the house bands of Stax, Hi and Goldwax Records. Memphis soul sound is different from the Motown sound from Detroit or the lighter sound of Chicago soul. After the rise of disco in the late 1970s, Memphis soul declined in popularity. The Stax Museum of American Soul Music is dedicated to preserving the Memphis sound.

    Overview/Memphis Soul

    Soul music is an emotional genre that began by expression of the struggles within the African American community. Soul is similar to genres like Motown or Rhythm and Blues but is unique because of its tonality and origin. Memphis musicians Willie Mitchell and Al Green collaborated to produce the basic sound of all soul music to emerge from Memphis. To this day, the entire genre of Memphis soul music is in accordance with their perfected sound of the 70s.

    Characteristics

    Memphis soul pulls stylistic influence from jazz, Motown, Rhythm and blues, gospel and Doo-wop music. There is often a call and response between the lead vocalist and chorus. Other characteristics of Memphis soul include handclaps, funky rhythms, catchy melodies, and invigorating body movement by the performer. Brass and saxophones are common in much of Memphis soul instrumentation.

    Memphis soul is unique due to its uptown influence on Southern regional soul music. Soul was originally written by and for the black community in Memphis but eventually became popular across all racial groups. Soul was experimental and new. It transformed greatly from the 50s into the 70s. Soul is the backbone of all American music ge

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