Jerson antony biography definition
Anthony Scelto
I would like to welcome you, to my class.
Anthony Scelto
Anthony Scelto was an Escribe, former resident of the Blue Condominium and that grew up at the St. Menefreda Orphanage. As said by Dante in the 5th episode of Deconjuration, Anthony was the humorous in the orphanage, who always liked to play pranks and play with other children.
Appearance[]
Anthony was a light-skinned man with straight hair and whitish eyes. He had his body covered in numerous tattooed texts and had several papers glued to his body. The main papers that are most visible showed the words "PLAGUE" (on his forehead) and "PAIN" (held on his left hand). Anthony carried with him a transverse bag with papers similar to those of his body and a cracked human skull, which belonged to another body that made use of as "Tirigan", Álvaro Augusto, with a chain that passed through this crack and connects it to his waist.
In his right arm, several papers could be seen, only now with "qualities" written to be able to strengthen himself, such as "FAST", "RICH", "STRENGTH", "LUCK", "RESISTANT" and "HAPPINESS".
Personality[]
Anthony appeared to be an intelligent man and showed willingness to teach, since in his other life as Tirigan, he was a teacher. He had a lot of occultist knowledge, especially the Big Symbol. He also seemed to have a disturbed mood, laughing in inappropriate situations. Just as in childhood, he liked to play games with his prey through rituals about the knowledge of the Other Side.
Biography[]
Past[]
After the death of his parents, Anthony was raised by his grandparents, Nestor and Graça Scelto, at the Blue Condominium in Canadense. He befriended Leonardo Gomes during this period, playing with him and making Frederico Mare's life a hell, going to the St. Menefreda Orphanage after helping Álvaro to kill his grandparents, he then spent his childhood there, al Indian music company Tharangini Records (currently Tharangni) is the music company founded by noted Indian Playback singer K. J. Yesudas in 1980 at Thiruvananthapuram, Kerala. It was the first recording and distributing music label in Kerala from where Malayalam film songs on audio cassettes came out. Other than Malayalam, Tharangni also released songs in Tamil, Telugu, Kannada, Hindi, Bengali, Marathi, English, Malay, Arabic, Russian and Latin. Tharangni release albums under various labels, Tharangni (film songs), Tharangni or Ayaan (album/devotional songs), Bharath Sangeeth (Classical songs and Hindi albums), 9th Angel Records (Christian devotional songs), Diva Records, V Records & Entertainment, Amplify More, all licensed or incorporated under Dr. K. J. Yesudass Audio and Visuals Corporation Limited and Yesudass Media Private Limited. Tharangini cassettes popularise light music and mappila songs among the audiences. Light music albums like Vasantha Geethangal, Raaga Tharangini, Madhura Geethangal etc. which also includes festival albums like Ulsava Ganangal series, Ponnona Tharangini series and mappila songs' albums like Mylanchi Pattukal series, Jannatul Firdaus were huge popular.Shyama dharaniyil from the 1981 Malayalam movie Sanchari was the first recorded song in Tharangini studio, which was composed and sung by Yesudas. In December 1981, Tharangini released its first audio cassette, Classical Music Vol-1. The first filmi songs' audio cassette released by Tharangini was from the movie Chillu. The company started its functioning in its first studio at Vellayambalam, Thiruvananthapuram as Tharangini Studios and Records on 23 November 1980. It also had a studio at Ernakulam. The studio had state-of-the-art Otari eight-track tape machine and a two-track mastering sys Open Access Peer-reviewed x The advent of web-based treatments for anxiety disorders creates a need for quick and valid online screening instruments, suitable for a range of social groups. This study validates a single-item multimedia screening instrument for agoraphobia, part of the Visual Screener for Common Mental Disorders (VS-CMD), and compares it with the text-based agoraphobia items of the PDSS-SR. The study concerned 85 subjects in an RCT of the effects of web-based therapy for panic symptoms. The VS-CMD item and items 4 and 5 of the PDSS-SR were validated by comparing scores to the outcomes of the CIDI diagnostic interview. Screening for agoraphobia was found moderately valid for both the multimedia item (sensitivity.81, specificity.66, AUC.734) and the text-based items (AUC.607–.697). Single-item multimedia screening for anxiety disorders should be further developed and tested in the general population and in patient, illiterate and immigrant samples. Citation: van Ballegooijen W, Riper H, Donker T, Martin Abello K, Marks I, Cuijpers P (2012) Single-Item Screening for Agoraphobic Symptoms: Validation of a Web-Based Audiovisual Screening Instrument. PLoS ONE 7(7): e38480. https://doi.org/10.1371/journal.pone.0038480 Editor: Jerson Laks, Federal University of Rio de Janeiro, Brazil Received: February 7, 2012; Accepted: May 6, 2012; Published: July 23, 2012 Copyright: © 2012 van Ballegooijen et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Funding: The de Type of musical theatre popular in Goa, India Tiatr (English: Theatre; Portuguese: Teatro) is a type of musical theatre that is popular in the state of Goa on the west coast of India, as well as in Mumbai and among the Goan expatriate communities in the Middle East, United Kingdom, and other cities with a significant presence of Konkani speakers. The plays are primarily performed in the Romi Konkani dialects and incorporate elements such as music, dance, and singing. Individuals who perform in tiatr are referred to as tiatrists. The word tiatr comes from the Portuguese word for theatre, teatro. Earlier variations of the word were theatro, thiatro, and tiatro. Prior to the emergence of tiatr, entertainment in Konkani mainly revolved around zagors and khells, each of which had a distinct style. While the zagor was more lyrical, the khell featured dialogues. While the former was more popular in Bardez; the latter was more entrenched in Salcete. Costancio Lucasinho Caridade Ribeiro, better known as Lucasinho Ribeiro, who was from Assagao, was seeking employment in Bombay. Passionate about the performing arts, he was highly impressed with the stylised Italian operas performed there. He took up a job for an Italian opera troupe which was touring Indian cities at the time, staging an opera called Italian Boy. When the troupe left India, Lucasinho Ribeiro bought the costumes used in the play with the intention of staging a Konkani play on the style of the Italian Opera. His collaborators in the effort were Caetaninho Fernandes of Taleigao and João Agostinho Fernandes of Borda, Margao. On Easter Sunday, 17 April 1892, the first-ever tiatr performance, Italian Bhurgo, adapted from the Italian play, was staged at the New Alfred Theatre, Bombay. This day is celebrated as Tiatr Dis (Tiatr Day). Hence, the Goan art form of tiatr was the product of the meeting of Goan cu
Tharangini Records
History
Abstract
Tiatr
Etymology
History