The shoals of herring ewan maccoll biography
Ewan MacColl
British folk singer-songwriter and activist (–)
Ewan MacColl | |
|---|---|
| Born | James Henry Miller ()25 January Broughton, Salford, Lancashire, England |
| Died | 22 October () (aged74) Brompton, London, England |
| Occupations |
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| Yearsactive | – |
| Political party | Communist Party of Great Britain (CPGB) |
| Spouses | Joan Littlewood (m.; div.)Jean Newlove (m., divorced) |
| Children | 5, including Kirsty MacColl |
| Relatives | |
James Henry Miller (25 January – 22 October ), better known by his stage name Ewan MacColl, was a British folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town".
MacColl collected hundreds of traditional folk songs, including the version of "Scarborough Fair" later popularised by Simon & Garfunkel, and released dozens of albums with A.L. Lloyd, Peggy Seeger and others, mostly of traditional folk songs. He also wrote many left-wing political songs, remaining a steadfast communist throughout his life and actively engaging in political activism.
Early life and early career
MacColl was born as James Henry Miller at 4 Andrew Street, in Broughton, Salford, England, on 25 January to Scottish parents, William Miller and Betsy (née Henry), both socialists. William Miller was an iron moulder and trade unionist who had moved to Salford with his wife, a charwoman, to look for work after being blacklisted in almost every foundry in Scotland. Betsy Miller knew many traditional folk songs such as "Lord Randall" and "My
The Shoals of Herring
"The Shoals of Herring" (Roud ) is a ballad, written by Ewan MacColl for the third of the original eight BBCRadio balladsSinging the Fishing, which was first broadcast on August 16, Ewan MacColl writes that the song was based on the life of Sam Larner, a fisherman and traditional singer from Winterton-on-Sea, Norfolk, England.Liam Clancy, who performed the song for decades, tells a more nuanced story, saying that MacColl "tape recorded all the old fisherman up along the east coast of England. And he never used one word of his own. He rhymed the lines that the fishermen had given him, and he made it into a song"
It has been recorded by The Spinners, The Dubliners, The Clancy Brothers, The Corries, Three City Four (Martin Carthy, Leon Rosselson, Ralph Trainer and Marian McKenzie), Astrid Nijgh (in Dutch, as De scholen haring),Schooner Fare, Patrick Clifford and Breabach, The Longest Johns . It was also featured on the soundtrack for the film Inside Llewyn Davis, performed in the film by Oscar Isaac (accompanied on the soundtrack by Punch Brothers).
Being a well-documented song publicised by Mudcat, and Mainly Norfolk, the song was recorded by Jon Boden and Oli Steadman for inclusion in their respective lists of daily folk songs "A Folk Song A Day" and " Days Of Folk".
In an example of the folk process, the song's title and refrain have altered to "The Shores of Erin" when sung by some Irish traditional singers.
References
External links
The Shoals of Herring
> Ewan MacColl > Songs > The Shoals of Herring
> > Songs > The Shoals of Herring
> Louis Killen > Songs > Shoals of Herring
[ Roud ; DT SHOALHER ; Mudcat , ; Ewan MacColl]
The Shoals of Herring was written for the third of the eight BBC radio ballads by Ewan MacColl, Charles Parker and Peggy Seeger, Singing the Fishing (first broadcast on 16 August , released on an Argo LP in and now available on a Topic CD). It was about the herring fishery and fishermen, and the song was designed specifically to highlight the life-story of Sam Larner, who had spent a long life as a herring fisherman, but was retired at the time of the recording. He first went to sea, he said, in , when he was just a boy. In this moving documentary, the song is sung partly by Ewan MacColl and partly by Bert Lloyd, all skilfully interpolated among the spoken words of Mr Larner. An extract of this with A.L. Lloyd and Sam Larner is on the last track of the first side of Karl Dallas’ brilliant 4 LP anthology, The Electric Muse: The Story of Folk Into Rock.
(A 12" LP of Mr Larner was later produced: Now Is the Time for Fishing: Songs and Speech by Sam Larner of Winterton, England, collected and edited by Ewan MacColl and Peggy Seeger; Folkways ; Topic )
Ewan MacColl sang The Shoals of Herring in on his Folkways album New Briton Gazette Volume Two and again in on his album Black and White; the latter recording was also included in on the 3 CD anthology The New Electric Muse: The Story of Folk Into Rock.
Bob Davenport sang The Shoals of Herring on the Hullabaloo ABC Television programme broadcast on 7 December
The Ian Campbell Folk Group sang The Shoals of Herring on the LP Edinburgh Folk Festival Vol. 2, and Nigel Denver recorded it in the same year for his eponymous LP Nigel Denver.
The Three City Four (Martin Carthy, Leon Rosselson, Ralph Trainer and Marian McKenzie) sang The Jon’s on the money in calling this, “A powerful song from the radio Ballads, I believe. Sung on FSC despite being a tad wordy for communal singing the strength of the melody drives it on.” This is a Ewan MacColl song from the original Radio Ballads that were produced during the late 50s and early 60s and this naturally enough, comes from the one about fishing. A quick diversion to the BBC is recommended if you don’t know anything about these, while Mainly Norfolk has details of the various recordings. There isn’t a mass of detail and there’s more about the series, but it’s still interesting. I think I’m right in saying that they are all available on CD, although two new ones were broadcast last year aren’t. The format of mixing song and vox pops is effective and can lend extra emotional weight to some very good songs. I think I’ll have to put a set aside as a project for later, or I might download them to my phone. Mind you, the simple tales told without artifice and combined skilfully with music can fair bring a lump to the throat and blubbing on the bus is hardly ideal. There’s a real vérité feel to Ewan’s song and I can visualise boiling seas and oil skins, with the concertina catching the roll and pitch of the boat. It’s also a coming of age song and now a historical memento, adding to the poignancy. This entry was posted on Friday, February 20th, at am and is filed under News. You can follow any responses to this entry through the RSS feed. You can leave a response, or trackback from your own site.
You can buy the February digital album now from all good download stores.