Anandhi heroine biography sample

1975 film by Gulzar

Aandhi (transl. 'Storm') is a 1975 Indian political drama film starring Sanjeev Kumar and Suchitra Sen, and directed by Gulzar. At the time it was alleged that the film was based on the life of the then-Prime Minister Indira Gandhi and her relationship with her estranged husband, but in reality, only the look was inspired by the politician Tarkeshwari Sinha and Indira Gandhi. The story is based on a chance meeting of an estranged couple after several years, when wife Aarti Devi, now a leading politician happens to stay in the hotel run by her husband during an election campaign. The movie is noted for its songs composed by Rahul Dev Burman, written by Gulzar and sung by Kishore Kumar and Lata Mangeshkar.

Suchitra Sen, the noted actress from Bengali cinema, who also worked in a few Hindi films, played the lead role of Aarti Devi.

The movie was not allowed a full proper release when Mrs. Gandhi was in power. The film was banned during the national emergency of 1975 a few months after its release. This film was banned on the alleged grounds of violation of the Model Election Code of Conduct, claiming it can cause damage to the reputation of the Congress party. So Election Commission stopped the film from releasing. The ban got further added with the declaration of National Emergency. The ban immediately made the film a national topic. After her defeat in the 1977 national elections, the ruling Janata Party cleared it and had it premiered on the state-run television channel. It proved to be an important film in the career of Sen, and also her last Hindi film, as she retired from films altogether in 1978. At the 23rd Filmfare Awards, she was nominated for Filmfare Award for Best Actress, while Sanjeev Kumar won the Filmfare Award for Best Actor. The film itself won the Filmfare Award for Best Film (Critics).

Summary

J.K. (played by Sanjeev Kumar) is a Hotel manager. One day he gallantly comes

Anandhi (actress) 9 languages

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Early life
This article is about the actress. For other uses, see Anandhi (disambiguation).
Career
Anandhi (born Rakshita;[1] 9 December) is an Indian actress who primarily appears in Tamil and Telugu
Anandhi
Personal life films. After her debut in the Telugu film Bus Stop (2012), she appeared in Vetrimaaran's Tamil production
Filmography Poriyaalan (2014) and Prabhu Solomon's Kayal (2014). She won Special Prize for Kayal at the Tamil Nadu
State Film Awards.[2]
Films

Television
Early life [ edit ]
Web Series
Anandhi was born on 9 December[3][non-primary source needed] in a Telugu family in Warangal, Telangana.[4][5]
References

External links Career [ edit ]

Anandhi made her debut with Maruthi's coming-of-age film Bus Stop (2012). Critics responded
positively.[6][7] Her next film, Priyathama Neevachata Kushalama, opened in March 2013 to negative
Anandhi in 2016
reviews, though a critic claimed that "the saving grace for the film is the performance of the lead pair -
Born Rakshita
Varun Sandesh and Hasika", adding that Hasika "looks traditional and has put up a decent show as well."[8]
9 December
Warangal, Andhra Pradesh (now
Anandhi was next seen in Vijay Maddala's next directorial venture Green Signal, where she appeared
Telangana), India
alongside newcomer Revanth, though the film garnered negative reviews.[9] In early 2013, she had also
Other names Hasika
signed on to appear in the Tamil film, Poriyaalan alongside Harish Kalyan, written by Manimaran. During
Occupation Actress
production, the scope of the film became larger after it was announced that director Vetrimaaran had
Years active 2012–present
chosen to invest in the venture as a co-producer.[10]
Spouse Socrates (m. 2021)
Anandhi appeared in Prabhu Solomon's dir

2019 film directed by Magizh Thirumeni

Thadam (transl. Trail) is a 2019 Indian Tamil-language crime thriller film written and directed by Magizh Thirumeni. Produced by Inder Kumar, the film stars Arun Vijay in a dual role along with Vidya Pradeep, Tanya Hope, and Smruthi Venkat. The music was composed by Arun Raj, with cinematography by Gopinath and editing by N. B. Srikanth. In the film, police officers try to solve a murder case involving lookalike suspects arrested on the basis of a pictorial evidence.

Thadam was released theatrically on 1 March 2019, opening to critical acclaim with praise for Arun Vijay's performance and the writing. It was commercially successful, becoming one of the highest-grossing films of the year in Tamil Nadu. The film was remade in Telugu as Red (2021), and in Hindi as Gumraah (2023).

Plot

Ezhil, is a civil engineer from IIT Madras, while his lookalike Kavin, is a gambling thief who deceives people along with his sidekick Suruli. Ezhil's love interest is an IT girl, Deepika, while a girl named Ananthi, loves Kavin, unaware of his real identity. One day, Kavin tries to help Suruli pay his debt by extracting money from Ananthi through lies, but she helps him in spite of knowing the truth. After taking the money, Kavin is enraged, and so is Ezhil after a party. That night, one of them breaks into a house and attacks the owner Akash, stabbing him to death. The next day, Kavin frees Suruli by paying his debt and wins Ananthi's trust by returning her money and telling her the truth. However, as the investigation of Akash's murder proceeds, a selfie clicked by a couple nearby is found with either Ezhil or Kavin in it.

Both Ezhil and Kavin are brought in and investigated without their knowledge of each other's existence. Gopalakrishnan, an inspector who shares an old rivalry with Ezhil, tortures him. Ezhil reveals his car broke down, and a call taxi driver helped him, as he didn't

This is the peer reviewed version of the following article: [Karupiah, P. (2015). Have Beauty Ideals Evolved? Reading of Beauty Ideals in Tamil Movies by Malaysian Indian Youths. Sociological Inquiry, 85(2), 239-261], which has been published in final form at [doi:10.1111/soin.12070]. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving. "Have Beauty Ideals Evolved? Reading of Beauty Ideals in Tamil Movies by Malaysian Indian Youths Premalatha Karupiah, School of Social Sciences, Universiti Sains Malaysia Biodata Premalatha Karupiah is a senior lecturer at the School of Social Sciences, Universiti Sains Malaysia, Penang, Malaysia. She teaches research methodology and statistics. Her research interests are in the areas of beauty culture, educational and occupational choices and issues related to the Indian diaspora. Abstract Studies have shown that beauty ideals are often exemplified, transmitted and maintained through cultural products such as art, literature and movies. This paper analyses the perception of beauty ideals in Tamil movies by Malaysian Indian youths and beauty ideals in Tamil movies from the 1960s to 2009. There were two stages of data collection. The first stage consisted of in-depth interviews with 20 female and 20 male students at a public university in Malaysia. They were selected using a purposive sampling method. The next stage involved a content analysis of 25 Tamil movies produced from the 1960s to 2009, selected by means of a stratified sampling technique. The analysis showed that some elements of beauty ideals have evolved in Tamil movies, and these trends were also identified by the participants. The preference for thinness, fairness/whiteness and youthfulness is prevalent for actresses but not for male actors. This may be a reflection of socio-cultural expectations of con