Grito do ipiranga machado de assis biography

The increasing number of projects related to digitizing the collections of libraries, archives and museums is changing the way Brazilian researchers work.  Over the past 15 years, several institutions have begun making documents, photographs and videos that could previously only be consulted during scheduled visits available on-line. The result of this effort is significant. In some cases, the ease of searching and finding items using search engines expanded access to information that would have been difficult to obtain manually, thereby enhancing the quality of research. In other instances, digitization allows researchers to become familiar with a given collection remotely in order to more quickly and efficiently consult it later, in person. &#;Students and researchers are being trained in this new context. It is a path of no return,&#; says historian Pedro Puntoni, professor at the University of São Paulo (USP) and researcher in the Digital Culture Department of the Brazilian Analysis and Planning Center (Cebrap). &#;Libraries and physical collections will always be important, but they are losing ground to the Internet due to the ease of access to documents, images and books, as well as theses and digital magazines available online,&#; he says.

In mid-March , from a personal computer in his home, professor and researcher Wilton José Marques ran across a forgotten poem by one of the leading names in Brazilian literature, the writer Machado de Assis (), known mainly for his short stories and novels. It was not just any poem, but the first, published in the Correio Mercantil newspaper, in Rio de Janeiro on September 9, , entitled &#;O grito do Ipiranga&#; (The cry from Ipiranga). Experts on Machado de Assis&#;s work had believed that his production began in with the poem &#;Es

Hi there, Portuguese students! Today, we will talk about a very interesting topic about Brazilian culture: art from Brazil! Let&#;s take a trip through the history of art in Brazil and how it evolved with time. if you want to read more about Rio de Janeiro&#;s museums, we have another great Dica for you. Are you ready? So, pick up your brush and paint, and let&#;s go!

Timeline for Art in Brazil

Let&#;s begin by taking a look at this Brazilian art timeline. Although each style began at the period cited below, they can still be performed and used by artists til this day!

Art from Brazil: Pre-Historical

Brazilian prehistoric art corresponds to hundreds of archaeological sites, scattered throughout the national territory, but mainly in the Northeast. This art corresponds to rock remains found in caves and in places of shelter, painted with mineral and vegetable pigments, and with the blood of animals. The oldest paintings, which are around 15, years old, were found in Piauí. At that time, bones, clay, stones, and horns were used to produce utilitarian and ceremonial objects.

Art from Brazil: Indigenous Art

When Brazil was discovered, there were approximately five million indigenous people living here, but after the vast majority died, much of the indigenous art was lost. But it resists until today, mainly in the Amazon region, where the indigenous people manufactured decorative objects and ceramics. Other forms of indigenous art are body painting, feather art, braiding, cloaks, masks, and headdresses. The indigenous people paint their bodies not only to decorate it, but also to defend it against the sun and insects and, according to their tradition, against evil spirits.

Art from Brazil: Colonial Art

After the arrival of Pedro Álvares Cabral in the territory that would become Brazil, Portugal transformed it into a colony. At that time, Brazil was influenced by several nations besides the Portuguese, like the Dutch, for example, who

Crônicas

Durante praticamente toda a carreira, Machado de Assis escreveu crônicas jornalísticas, seja nos folhetins do rodapé da primeira página, seja em outras seções. "Como cronista, Machado foi uma testemunha de seu tempo, apaixonado na juventude, desconfiado na meia-idade, francamente desiludido na maturidade, que legou um painel para a compreensão do Brasil de sua época e de como os homens de então entendiam os acontecimentos." Contribuiu com as seguintes colunas/órgãos da imprensa:

1) Aquarelas, em O Espelho (), assinando como M-as

2) Comentários da Semana, no Diário do Rio de Janeiro (), assinando como Gil e M.A.

3) Crônica, em O Futuro (), assinada com o próprio nome.

4) Correspondência/Correspondência da Corte/Correspondência da Imprensa Acadêmica (a coluna foi mudando de nome), na Imprensa Acadêmica (), assinando como Sileno.

5) Novidades da Semana/Pontos e Vírgulas/Badaladas. Coluna coletiva que mudou de nome duas vezes, na Semana Ilustrada (). Como vários escritores compartilharam o mesmo pseudônimo (Dr. Semana), diferentes especialistas divergem sobre quais textos seriam realmente de Machado de Assis.

6) Vespas Americanas, na Semana Ilustrada (), assinando como Gil. A coluna, aproveitando o sucesso da revista satírica Les Guêpes (As Vespas) do francês Alphonse Karr, só saiu duas vezes.

7) Ao Acaso (subtítulo: Crônica da Semana), no Diário do Rio de Janeiro (), assinando com o próprio nome ou suas iniciais.

8) Cartas Fluminenses, no Diário do Rio de Janeiro (), assinando como Job.

9) Correspondência da Corte (segunda fase), na Imprensa Acadêmica (), assinando como Glaucus.

10) Nova Crônica, na Semana Ilustrada (), assinada como Sileno.

11) História de Quinze Dias, na Ilustração Brasileira (), assinada como Manassés.

12) História de Trinta Dias, na Ilustração Brasileira (, quando a revista se tornou mensal), assinad